Showing posts with label classical/experimental. Show all posts
Showing posts with label classical/experimental. Show all posts

HAPPY (BAND)CAMPERS: WEIRD EDITION


"American Folk Music" is the most boring possible name for an album, but fear not! The latest release from veteran North Carolina wackos the Moolah Temple $tringband is anything but dull. They take songs from Harry Smith's venerable "Anthology of American Folk Music" and radically warp them by introducing such elements as exotic Middle Eastern-isms, clanging and banging percussion, incongruous '80s hip-hop style drum machine beatz, even a bit of rapping on one song, and mix them with the trad sounds of guitars, banjos, and a skillful fiddle that suggests that someone has been taking music lessons. The hideously/hilariously inappropriate combination of traditional folk music and Autotune (!) on "Farmland Blues" had me laffin' out loud. Also dig: the fuzz guitar crunch of "Little Moses" (even tho it goes on too long), and a version of "John Hardy" that might even be better than the Gun Club's? Scuzzy vocals are often distorted beyond recognition. "The Titanic," however, actually approaches mainstream respectability, complete with perfectly competent backing vox.



Moolah Temple $tringband: "American Folk Music"

More Bandcamp weirdness ahoy! L.A. nutters Freshly Wrapped Candies have unwrapped an old album of theirs from 1989 chock full of hermetic, inscrutable DIY obsessions that, perhaps inevitably, are sometimes reminiscent of The Residents, esp. on songs like "Grandfathers' Rug". Other standout songs like the downright catchy "Think" and the Beavis and Butthead-ish "Pitter Pat" don't immediately suggest any particular influences. Organically strange, but not off-puttingly so. It emerges from the haze with its' humanity intact.

Freshly Wrapped Candies: "I Like You" 


OUTER SPACE MUSIC FROM OUTER SPACE!


Who or what is/are Ko Transmissions? I don't know, but the lengthy letter that accompanied the cassette release featured here tells a long, involved story of musical messages sent to planet Earth by the Ko people. Yes, we have apparently made contact with space aliens. You heard it here first!

Ko-core is all instrumental. The tape gets off to a good start with some lovely harp sounds. This is followed by a drummer-less rock band, and a vaguely Middle Eastern electric guitar solo. Those last 2 parts weren't too interesting, but @ 9:12 we get to an excellent passage of exotic tribal drumming backing more Middle Eastern sounding violin (?) and possible other stringed things - music for green-skinned belly dancers entertaining their masters on some far off planet.

Which is followed by spooky guitar drones that smack of vast interstellar voids. Fine stuff. Next up, some noodly guitar plucking; a lengthy track starts @ 21:00 with drums and  what sounds like mbira, cowbell-y percussion, and some kind of ethnic flutes/woodwinds that sounds like an Irish pennywhistle made out of PVC pipes. Then: atonal guitar skronk. I like the oddly bent Residential noises that start around 32:00 and the ambient drone that follows it. Some Beefheartian proggy guitars are then called to prayer at Mecca, and we're done.

None of it sounds particularly extra-terrestrial, but neither does it sound like any standard musical styles, unless 'random weirdness' is now a genre. 44 minutes of inter-planetary communication here:



Behold, the Daxophone! The FUNNIEST Instrument Ever?!?


The late, great Hans Reichel gets a lot of props in the modern jazz world for his guitar playing, which is all well and good, but Maniacs should proceed directly to the few recordings he made highlighting his invention, the hand-crafted wooden objects known as Daxophones. Imagine a school kid bending his ruler over his desk making a boing! sound, only played with a violin or cello bow. In the hands of Reichel, a master musician as well as inventor, the Dax is amazingly versatile, capable of all manner of sounds, often with cartoonish undercurrents.

Reichel calls this album an 'operetta' even tho there are no singers. Indeed, there are no other instruments on this album besides the Daxophone. Yet the instrument has the uncanny ability to mimic human speech sound. Not only that, but the song "Bubu And His Friends" sounds like a whole barnyard of animals singing in harmony. Not only do these instruments sing, they swing, dad. These are not just weird noises for a chin-stroking avant-garde academic. "Street Song" is filled with hand-clapping joy. The percussion-heavy "You Can Dance With Me" reaches an almost Afro-Cuban level of danceable groove. And the catchy bubblegum rock of "Oway Oway" could convert the most brainwashed of mainstream music followers (well, in my fantasy world...)

Some songs suggest actual musical genres, like salsa, jazz or country, but played as if by Martians who, after picking up some terrestrial radio transmissions, attempt to interpret  the music of Earthlings on their alien instruments, tuned to no known scale. A wonderful work of weird genius. The fact that the name 'Hans Reichel' is not as well known as 'Kardashian' does not speak well for the human species, but we can start changing that right now:

Hans Reichel - "Yuxo, A New Daxophone Operetta"   [2002]

You can also listen to/buy another great Daxophone album (along with a slew of his guitar releases) here:


https://destination-out.bandcamp.com/album/shanghaied-on-tor-road


"Night Of The Living Dead" soundtrack







































I think this speaks for itself, doesn't it?

The internets sez: "Since their meager budget did not allow for an original music score, producer Karl Hardman selected cues from the Capitol Hi-Q production music library which [director George] Romero masterfully edited into the film. The end result was spine-chilling. Although this same music had been used more than a decade earlier in low-budget efforts such as Teenagers from Outer Space, The Hideous Sun Demon and The Killer Shrews, it would become forever known as the soundtrack to Night of the Living Dead."

Choice bits of dialogue are also included in this collection.

Night Of The Living Dead OST

A1 –Spencer Moore Driveway To The Cemetary (Main Title)
A2 –William Loose / Seely At The Gravesite/Flight/Refuge
A3 –George Hormel Farmhouse/First Approach
A4 –Ib Glindemann Ghoulash (J.R.'s Demise)
A5 –George Hormel / William Loose / Seely / Ib Glindemann Boarding Up
A6 –Philip Green / George Hormel First Radio Report/Torch On The Porch
A7 –George Hormel Boarding Up 2/Discovery: Gun N' Ammo
A8 –Spencer Moore Cleaning House
B1 –Ib Glindemann First Advance
B2 –George Hormel / Jack Meakin Discovery Of TV/Preparing To Escape/Tom & Judy
B3 –George Hormel Attempted Escape
B4 –George Hormel Truck On Fire/Ben Attacks Harry/Leg Of Leg
Effects [Electronic Sound Effects] – Karl Hardman
B5 –George Hormel Beat 'Em Or Burn 'Em/Final Advance
B6 –Spencer Moore Helen's Death/Dawn/Posse In The Fields/Ben Awakes
Effects [Electronic Sound Effects] – Karl Hardman
B7 –Spencer Moore O.K. Vince/Funeral Pyre (End Title)

Oh Come On, MORE Experimental Psychedelic Bagpipe Music?!

Count 'em
Yeah, I know, but this one's really great. Julia Wolfe, of New York's Bang On A Can posse, released this a few years ago, and is performing it for the first time in Los Angeles this week - on a bluff overlooking the ocean. For FREE. It's a teaser to get you to see the BOAC concert. The whole piece runs about 13 minutes. No other instruments, just bagpipes. 

The first part is total mind-melting psych drone, like Glen Branca in a kilt. Not only does it sound nothing like what I thought bagpipe music was supposed to sound like, it pretty much caved in my skull. And I do not take drugs. Part 2 sounds more bagpipe-y, and gets into subtle minimalism territory.


Julia Wolfe "Lad (for 9 bagpipes)" parts 1 and 2

from the album "Dark Full Ride"

Music for Homemade Instruments - A Decade of Debris (1988)


Like the band featured in this blog's previous post, The Hoosier Hot Shots, this group also performs on homemade instruments. However, one group is considered "novelty" and the other "avant-garde." It's all rather arbitrary, and class-ist. This band isn't quite as funny as the Hoosiers of course, but they are plenty tuneful, with nice toe-tapping compositions sometimes derived from Indonesian gamelan music, something ex-members of this group would explore further with the (I believe) still-running band of fellow New York arty-smarties, Gamelan Son of Lion.

Music for Homemade Instruments - A Decade of DebrisI just wish I could see these instruments. I could only find one photo (right), and no videos. 

Despite their academic background, this is fun stuff, not just self-indulgent banging around - hence, not a completely unlikely companion to the Hot Shots. The track "Inside the Compound" is even a kind of mutant blues. An excellent album that should have had greater distribution. This was a cassette-only release. So, yeah, this file is taken from a tape, but still sounds pretty good.

Music for Homemade Instruments- A Decade of Debris (1988)

a1 Glyptodont (Skip La Plante)
 a2 Inside the Compound (Geoffrey Gordon)
 a3 Streetsong (Alice Eve Cohen) [not safe for work!]
 b1 Ball Lead (Rolf Groesbeck)
 b2 Native Cat Songs (David Simons)


"Another Goddam DEATH Dedication"

R.I.P. Don Joyce of Negativland. 

The legendary sound collagist/radio mastermind/culture-jammer has joined Snuggles.

If you didn't download the "Helter Stupid" show that I posted last year, a bootleg with excellent right-off-the-mixing-board sound quality, now would be the time to check it out:

Negativland Live - "Helter Stupid Tour" 1989

Christianity is Stupid! This video is GOOD:



Ross Bolleter's Music For Ruined Pianos

A reader left a comment today: "How does one download from Google on a Mac? I cannot figure it out..." I'm not a Mac-intologist. Anyone?
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Rather than take old, decrepit pianos and attempt to repair and tune them, Australian composer/improviser Ross Bolleter makes new music out of "ruined" pianos. Bolleter approaches each piano as a singular entity, utilizing each instrument's lack of standard tuning, missing keys, broken strings, etc. to create strange, haunting, stirring sounds that would not be possible to make on a new piano. Which seems like a much more logical approach than taking every sound-making thing on the planet and forcing the limited range of the Western scale on it.

The music on this album hardly sounds like "piano music." The lengthy opening track is meditative loveliness, ranging from Asian gong sounds to birds calls in the background (this really is a 'field recording') to horror movie atmospherics. The remaining short tracks sound similar to John Cage's prepared piano works, but while Cage's pieces were gamelan-inspired and strictly written, these are free and jazzy. So ingenious one wonders why no-one thought of doing something like this before?

Ross Bolleter - Secret Sandhills and Satellites (Pieces For Ruined Pianos) (2006)
(UPDATE 7/15: Missing track now in file.)

Count Otto hepped me to this cat via this article about "Touring Australia's Piano Graveyards."

Pardon my Amazon cut-and pasting:

ROSS BOLLETER ruined pianos (+ accordion on 7)

1 - SECRET SANDHILLS - 28:00
2 - AXIS - 6:47
3 - DEAD MARINE - 6:10
4 - AND THEN I SAW THE WIND - 3:22
5 - CHORUS LINE - 1:39
6 - SAVE WHAT YOU CAN - 2:40
7 - GOING TO WAR WITHOUT THE FRENCH IS LIKE GOING TO WAR WITHOUT AN ACCORDION - 4:23
8 - TIME WAITS - 5:59
9 - COME NIGHT - 2:02
10 - JAUNTY NOTES OF PADDOCKS BRIGHT - 4:22
11 - OLD MAN PIANO - 1:46

"All digital recordings made in Australia around Perth and Alice Springs 2001-2005. Pieces for ruined pianos and pianos on the edge of ruin... The main work, inspired by an Aborigine painting, is the 28-minute Secret Sandhills, a generally slow-moving work spliced together from performances on six ruins. There are also 10 shorter and generally faster Satellites, some of which were performed on two ruined pianos simultaneously. Fresh new sounds from decaying old instruments."

I'm Bringing Weirdness Back...

If you feel like genuine musical weirdness died with Sun Ra and Captain Beefheart, take heed!  We have some 
stone-cold freakazoids in our midst even today. To whit:
 
- The Everyday Film is raising funds for his next album. Judging by the excerpts of works in progress in the video 
below, it's the veteran outsider's most ambitious project yet, as it moves beyond his usual industrial nightmares 
into some realms of sound that actually resemble, well, music. Y'know, that some people will like to listen
 to? So give, brothers and sister, give 'til it hurts:

The Everyday Film - "Bleed Over" (GoFundMe site)
 
- Ostrich Von Nipple is such a great name that I thought there was no way that their music could measure up to it, 
but their latest album is an absolutely awesome acid-bathed assemblage of spazz-jazz-tronica, weirded-out lyrics, 
and a guest guitarist who has played with the Residents, no less. Songs like "Mad Martian Beach Party" actually
sound like their titles. One 10-minute track suggests prog, but prog is rarely this humorous and surreal.  Originally
released last year in hard copy formats thru Psychofon Records, including a very limited vinyl run, it's now available
digitally thru outlets like Amazon and iTunes. In Maniac-universe, this album would sweep the Grammys.

"Ostrich von Nipple Quantifies Absurdity" album Amazon page 
Ostrich Von Nipple "Upright Jerker" (mp3)
 
- Petunia-Liebling MacPumpkin, the gal who's so cray-cray she makes Kate Bush look like Barbra Streisand, is the
 one who hipped us to the Nipple. Her own latest video "Picked Fences" (see below) is another outlandish mixture of 
live action, animation, puppets, toys, video effects, and art-song.   
 
- Womb Pals' brief (13 minutes) name-your-price download EP "Baby Spinach" is mostly pleasantly low-key
piano ambience, but is notable for the track "perfection," which ingeniously samples the sounds of coughing and 
throat-clearing. No other instruments. Exactly the kind of thing that Maniacs might find clever and funny, and 
Normals might respond to by running away, hands over ears. That's irri-tainment! 
 
http://wombpals.bandcamp.com/releases 
 
- The Chewers are the twisted Southerners whose two previous albums got rave reviews from Yours Truly on these 
here virtual pages. They're still spewing out their inbred hell-billy guitar rock primitivism, but with seemingly
a bigger budget. More instrumental sounds, cleaner production, guests vocalists - they sound better
than ever, tho the songs are not sticking with me the way their earlier work did. One track, however, the utterly
over-the-top "Misanthropic Bones," just might be the greatest thing they've ever done. It's a kind of rap song, 
with a clenched-teeth Chewer sptting out rhymes like "I don't get enough sun or sleep/I'm a hollow, distorted 
creep."
Well, aren't we all?

The Chewers "Dead Dads" album Bandcamp page
The Chewers  "Misanthropic Bones" (mp3)

 

The Psample-delic Psounds of Carl Stone's "Four Pieces"

If you think sampling in music means MC Hammer looping "Super Freak," you gotta another think coming: Los Angeles legend Carl Stone has been using custom software to spin complex, beautiful webs out of found sounds since before most people even owned a computer. The closest comparison to another composer one might make would be to John Oswald and his Plunderphonics, but Oswald often hits with an ADD-addled aggressiveness. Stone takes a more trance-inducing path that sometimes approaches Minimalism, but the results are still too thorny to ever function as yoga music.

Track #1 "Wall Me Do" is not, as the title suggests, a Pink Floyd/Beatles mash-up. The title, like most of Stones' titles, comes from an LA area Asian restaurant. It's glitchy electronica, not unlike Aphex Twin, but years before the fact. #2 is pretty funny, slicing and dicing that classical classic "Pictures at an Exhibition" into an increasingly unrecognizable delirium.  #3 ("Shing Kee") from 1986 hypnotically loops unidentified sounds (inc female vocals) into dreamy gorgeousness; tho reminiscent of Frippertronics and Steve Reich's early tape-loop works, the gradually unfolding patterns bear the stamp of Stone's original style. Play this with the lights out, glass of red wine in hand. Aaahhh... And #4 is Stone sampling himself, in this case remixing #1. I actually prefer it to #1 - it's all Minimalistic grooviness, but with no predictable looping and phasing.

Carl Stone - Four Pieces (1986-1989)

I was happy to see that Stone is performing live this March 22 with LA Free Music Society vets Tom Recchion and Joseph Hammer. Those two have been using extreme turntablism and tape-loop tomfoolery to great effect for as long as Stones' been tweaking his Macs. Don't think Stone was ever actually a member of the LAFMS, but note that Recchion designed the insert to this album.  And the two used to rule the KPFK airwaves in the 1980s with back-to-back (Tuesday night?) shows, Stone with "Imaginary Landscapes" and Recchion's "Soundings II, aka the Tom and Tony Show." Between Stone's alt classical-to-Yma Sumac approach and Tom 'n' Tony's avant-tarde mix of free noise, kitschy thrift-store records, and live antics (e.g. playing the entirety of "Sgt Pepper" on fast-forward when the CD was first released), Young Master Fab's mind was suitably re-aligned. Tom Waits said he wept when he first heard Gavin Bryars' "Jesus Blood Never Failed Me Yet" (which Waits would later sing) on LA radio in the '80s. 'Twas on "Imaginary Landscapes" - I was listening that night, too.


THE CLASSICS PLAYED ON 57 WINE GLASSES

I am quite delighted to announce that the crucial WFMU show "Bodega Pop" will devote all three hours of its weekly programming to this here web-log as our 10th anniversary festivities continue. This Wednesday 7:00PM Eastern time on Woof-Moo's "Give The Drummer Some" stream (not the over-the-air broadcast) the party commences. Your host-with-the-most Gary Sullivan helms a blog also called "Bodega Pop", and its tales of international music-collecting derring-do fills me with insane envy. Damn, this guy's got a great collection. And now, my latest Bandcamp discovery:

AllMusic said about today's album: "In the running for strangest novelty item of the year [2007], A Drop in the Glass is nevertheless an impressive display of musicality." Indeed. GlassDuo from Poland have constructed what they claim is the world's largest wine glass instrument, some 57 pieces strong.  Yes, wine glasses. You know how you can wet your finger and rub it along the rim of the glass to produce a musical, if somewhat squeaky, tone? Well, these two have taken this old idea to a virtuoso level. Mussorgsky's "Pictures At An Exhibition" is one of those classical war-horses that I'd never really given much thought to, but that was before I heard the familiar opening "Promenade" performed on something I am now drinking out of.



Other highlights: Chopin's "Prelude" (tho I prefer Serge Gainsbourg's remake "Jane B"), the clanging of metal percussion (a trash can, perhaps?) halfway into "Great Gate of Kiev", and the medley of hits from Grieg's proto-goth "Peer Gynt." After a while you may forget the unusual methods used to produce these sounds, and just listen to it for it's musical merits. It's available for purchase, or listen to the free stream:

GlassDuo: "A Drop In The Glass"

An mp3 for ya: 

GlassDuo: "In The Hall of the Mountain King" (excerpt from track 10)

I'm finally listening to some proper classical music. My mother will be so proud.

UnPop Music - A MusicForManiacs Sampler

All music that isn't classical, jazz or ethnic/folk is 'pop', meaning 'popular.' Except when it isn't. Here are some new releases you should run out and buy (and some not-so-new ones that I slept on) that have everything a pop song should have: brevity, melodic vocals, toe-tappin' beats, clean production, energy...heck, even danceability. Everything except actual popularity. Mostly these are tuneful tunes sporting very funny, clever lyrics (perhaps too witty for the masses), with a kouple of kooky kovers thrown in.

UnPop Music - A MusicForManiacs Sampler

1. ac00perw - "Smells Like Teens": Nirvana re-imagined as sleazy Steely Dan-type '70s soft-rock.
2. Iggy Pop - "Monster Men (les zinzins de l'espace)": In 1997, The Iggster sang the theme song to a French kid's cartoon show called "Space Goofs;" how punk is that?!
3. Jens Lekman - "A Higher Power": great bad rhymes, from this Scandanavian's 2004 album entitled (speaking of Iggy) "When I Said I Wanted To Be Your Dog."
4. Larry Gallagher - "I'm Sorry for What My People Did to Your People": wickedly funny Tom Lehrer-esque satire, from the album "Can I Go Now?"
5. Maya Beiser - "Back In Black": from the new album "Uncovered" of massed overdubbed  cellos playing instrumental versions of rock and blues hits; I'm not really sure why this exists. Dig the video of her cello-riffic cover of Led Zeps' "Kashmir" below.
6. One And Seven Eighths - "Pegasus (The Camping Waltz)": Most tracks on their album "Modern Camping Songs" are real nice ambient/abstract electro instros, but this brilliant novelty is the best thing that Viv Stanshell never did.
7. O-Type - "Stupido": New vinyl re-issue of this MX-80 Sound spin-off sounds like a lot of other '80s noise rockers, until the vocalist starts channeling a panoply of fascinating, horrific characters, e.g.: the hapless protagonist of this song, rendered in a 'retarded guy' voice at once funny and disturbing.
8. Sid Ozalid - "Elephant in a Sack": Frequent contributor Count Otto Black slipped us these short, silly tracks from one of his fellow Scotsmen, an oddball known more for poetry than music; from "Songs & Stories From a Suitcase", the 1982 EP by Sid Ozalid & His Legendary All-Stars.
9. Sid Ozalid - "My Tortoise Can Burst Into Flames"
10. Sid Ozalid - "This is the Story of the Missing Jacket"
11. Twink The Toy Piano Band - _{ ·_ U _· }_: The latest from the master of toy-tronica has a cute album cover/title ("Critter Club"), cute tarot-like cards of animals, cute song titles (all typographic symbols), but a decidedly more mature sound; the large supporting cast features a number of horn players, giving excellent tunes like this one an almost jazz feel. They grow so fast!



(Thanks again, Count!)

Ambient-Abstract-Noise

For those moments when you need to get away from the idea of music as, y'know, tunes, what with all those distracting rhythms, melodies, lyrics and other fancy accouterments, and you just want to, as Cage said, let music be itself: tracks from recommended new(ish)* releases that soothe body and soul in a colorful sonic bath. And by "soothe" of course I mean that this ain't no New Age audio wallpaper, but can get rather dark and weird at times.

27 minutes of: ambientabstractnoise




1. Philip Jeck "1986 Frank Was 70 Years Old" (from "Surf") - Turntableism as ambient sound collage; guest vox from Woody Woodpecker.

2. Back Magic "Future Graves" (from "Chorus Line To Hell") - Duo's guitar/drum lo-fi racket sometimes resembles actual rock music, and quite nice rock music at that; then we get to this chilling instro, based on a keyboard and air-raid siren sound effects; the apocalypse has never sounded so appealing.

3. Carolina Eyck & Christopher Tarnow "10,000 Bells" (from the as yet unreleased "Improvisations for Theremin and Piano, Vol 1") - Another duo, but they're German, and have had music lessons. Eyck in fact, studied under Lydia Kavina, Leon Theremin's grand-niece and former member of Messer Chups.

4. Allen Ravenstine & Robert Wheeler "Nocturne" (from "City Desk") - YES!! The once and future synth wizards of the mighty Pere Ubu have teamed up for two albums ("City Desk" and "Farm Report") of pure unadulterated analogue electro improv sci-fi soundscape loveliness. "At points one or the other musician would leave the room, letting the antique synthesizer fill in his parts until he returned." 

5. Chris Campbell / Grant Cutler "Song 2" (from "Schooldays Over") - The all-too-brief album is a meditation on Ewan MacColl's 1961 Irish folk ballad about kids moving straight from school to backbreaking labor; the song is teased apart and beautifully reconstructed on such self-descriptive tracks as "Pump Organ, Gongs, Balloon Bassoons." Marimbas, glockenspiels and kotos also join the keyboards in beautiful melancholy.

6. Chris Campbell "Water Mirror" (from "Things You Already Know") - Campbell's really been hittin' it lately, what with his work for the crucial Innova label, and not one but two excellent recent albums. On this one, a fairly large cast perform both on standard stuff and on invented instruments and oddities like propane tanks, psaltrys, and singing bowls for something in between ambient, minimalism, and freak rock. So nice.

I also quite liked THIS. 

* Except for the Philip Jeck which came out in 1998 but I only just discovered it.

Christian Marclay ‎– "More Encores"

I don't recall hearing the word "turntablism" back in 1989 when this album was released, but that's what this is. Needless to say, this ain't no "wiki-wiki-scratch" type stuff. I saw Marclay in performance with Tom Recchion and Toshio Kajiwara in 2003 and it was quite a sight to see records being so creatively abused, e.g.: 8 'tables all playing copies of the same record, with stickers placed on the vinyl so the records would skip at certain points. I wanna do that! 

The performance was part of an exhibit of his visual art, which is quite spectacular as well. Witness his giant, useless accordion, or his album cover collages (but what's the middle album in this one, the one in between Michael Jackson and Roxy Music?). 

From the liners:

Each piece is composed entirely of records by the artist after whom it is titled.
"John Cage" is a recording of a collage made by cutting slices from several records and gluing them back into a single disc.
In all other pieces the records were mixed and manipulated on multiple turntables and recorded analog with the use of overdubbing.
A hand-crank gramophone was used in "Louis Armstrong". 


Christian Marclay ‎– "More Encores"

Negativland Live - "Helter Stupid Tour" 1989




At the time this excellent board tape was made, multi-media collage/ performance art/ prankster legends Negativland had been around since the early '80s, releasing several albums that served as warm-ups for their glory years of the late '80s/early '90s, when they ruled college radio, signed to the indie label everyone wanted to be on (SST Records), and generally moved from being mere (if brilliant) performers/recording artists to becoming a genuine cultural force, merry pranksters manipulating the gullible mass media, and daring to pull down the pants (so to speak) of some of the biggest figures in the music industry.  They paid for their hijinks big-time, but ultimately came out the other end bloodied but unbowed. Lo these many years later, as seen
in today's post-internet media-overload environment of mashups, youtube, etc., they seem positively visionary. And this performance finds them at the top of their game. Even if you're very familiar with Negativland's "Escape From Noise"/"Helter Stupid"/"U2" era (as I would imagine many, if not most, Maniacs are) this is still a fresh experience, as they take elements from their album tracks and rework them into lovely new mutations.

Negativland Live - Hampshire College 1989

Side 1:

1 - Christianity Is Stupid
2 - Helter Stupid
3 - Escape From Noise
4 - Time
5 - Another Perfect Cut
6 - Free TV Or Pay TV
7 - The Playboy Channel

Side 2:

1 - Playboy Channel 2
2 - Why Don't They Blow Us Up?
3 - I'd Like A Piece Of Meat / Michael Jackson
4 - U2
5 - Car Bomb


This comes to us from maniac Bob Berger. Can't thank him enough. He writes: "Recorded off the sound board onto Maxell XLIIS cassette with whatever tape deck was present, this tape has been legendary among all of my friends for many years. The sound quality is amazing... I've never heard Negativland recorded quite so well... Given our state(s) of mind at that show, I have no idea how we managed to capture this as well as we did... but here it is. At home, I've chopped these bits up into each track as best I could, but I figured that it would be best to preserve the whole show's continuity as two sides of the, now infamous, cassette.

Enjoy.

colunco23"



And - hey! - let's not forget to salute "guest vocalists" like the recently departed  Casey Kasem, and  L.A newscaster Hal Eisner. When on those rare occasions I stumble across Eisner's TV appearances, I chuckle, almost expecting him to say, "This is Hal Eisner. This is stupid."

RIP Snuggles.







Brain In A Box: 5 Disks of Science Fiction Sounds!

You don't get the beautiful 3D hologram packaging that originally enclosed this stupendous set, but hey, it's out of print, so better to have lots of good listening than nuthin', eh? And I've been too busy (and will probably continue to be so for the foreseeable future) to update this blog as regularly as I'd like, so hope this will keep all my li'l maniacs happy 'til I get back.

WARNING: these tracks (113 in all) are encoded as m4a (a lossless file),not mp3. They're bigger, which is why I had to split up the disks, and I don't know if m4as play on everything.


An astronomical amount of thank-yous to maniac James C. for sending this our way.

Brain In A Box: The Science Fiction Collection [Disc 1] : Movie Themes pt 1
Brain In A Box: The Science Fiction Collection [Disc 1] : Movie Themes pt 2
Brain In A Box_ The Science Fiction Collection [Disc 2]  TV Themes pt 1
Brain In A Box_ The Science Fiction Collection [Disc 2] TV Themes pt 2
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 1
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 2
Brain In A Box_ The Science Fiction Collection [Disc 3] Pop pt 3
Brain In A Box_ The Science Fiction Collection [Disc 4] Instrumental/Lounge pt 1
Brain In A Box_ The Science Fiction Collection [Disc 4] Instrumental/Lounge pt 2
Brain In A Box_ The Science Fiction Collection [Disc 5] Novelty pt 1
Brain In A Box_ The Science Fiction Collection [Disc 5] Novelty pt2


Disc: 1


1. The Rocky Horror Picture Show: Science Fiction/Double Feature - Richard O'Brien
2. 2001: A Space Odyssey (Introduction) - The City Of Prague Philhamonic/Nic Raine
3. Forbidden Planet: Main Titles - Overture - Brain In A Box: The Science Fiction Collection
4. The Day The Earth Stood Still: Prelude/Outer Space/Radar - Bernard Herrmann
5. It Came From Outer Space: Visitors From Space - Dick Jacobs
6. Creature From The Black Lagoon: Main Title - Hans J. Salter
7. The Incredible Shrinking Man: Main Theme - Dick Jacobs
8. The Time Machine: Main Title/Credits - Russell Garcia
9. Them!: Main Title - Brain In A Box: The Science Fiction Collection
10. The Thing Aka The Thing (From Another World!): Prelude - The National Philharmonic Orchestra/Charles Gerhardt
11. First Men In The Moon: Main Title - London Studio Symphony Orchestra/Laurie Johnson
12. The Beast From 20,000 Fathoms: Main Title - Brain In A Box: The Science Fiction Collection
13. Fantastic Voyage: Radio Spot Announcement - Brain In A Box: The Science Fiction Collection
14. Fantastic Voyage: Main Title Sound Effects Suite - Leonard Rosenman
15. Planet Of The Apes: Main Title - Jerry Goldsmith
16. The Andromeda Strain: Desert Trip - Gil Melle
17. Close Encounters Of The Third Kind: The Conversation - John Williams
18. Aliens: Ripley's Rescue - The London Symphony Orchestra/James Horner
19. E.T.The Extra-Terrestrial: Three Million Light Years From Earth - John Williams
20. Robocop: Robo Vs. Ed-209 - The Sinfonia Of London Orchestra/ Howard Blake
21. Robocop: Main Title - The Sinfonia Of London Orchestra/ Howard Blake
22. Terminator 2: Judgement Day: Trust Me - Mark Ayres
23. Outland: The Mine - The National Philharmonic Orchestra/Jerry Goldsmith
24. War Of The Worlds: Main Title & Introduction - The City Of Prague Philhamonic/Nic Raine
25. Predator: Main Title - Brain In A Box: The Science Fiction Collection
26. The Fly: Main Title - London Philharmonic Orchestra/Howard Shore
27. Mars Attacks!: Main Title - Artie Kane
28. The Matrix: Anything Is Possible - The City Of Prague Philhamonic/Nic Raine
Disc: 2
1. The Twilight Zone, Main Title: First Season - Brain In A Box: The Science Fiction Collection
2. Lost In Space: Main Title/Main Title - Season 3 - John Williams
3. My Favorite Martian: Theme - The Warner Bros. Orchestra/Carl Brandt
4. Doctor Who: Dr. Who - Eric Winstone & His Orchestra
5. The Jetsons: Theme - Brain In A Box: The Science Fiction Collection
6. The Time Tunnel: Main Title - John Williams
7. One Step Beyond: Fear - The Berlin Symphony Orchestra/Harry Lubin
8. The Outer Limits: Control Voice Introduction - Vic Perrin
9. The Outer Limits: Main Title - Dominic Frontiere
10. Men Into Space: Theme - The Buddy Morrow Orchestra
11. The Thunderbirds: Theme - Barry Gray
12. Stingray: Theme - Barry Gray
13. Astro Boy: Theme - Brain In A Box: The Science Fiction Collection
14. Voyage To The Bottom Of The Sea: Main Title - Brain In A Box: The Science Fiction Collection
15. Land Of The Giants: Main Title - Season 1 - John Williams
16. Star Trek: Main Title & Closing Theme - The Royal Philharmonic Orchestra/Fred Steiner
17. Star Trek: The Next Generation: Main Title - The Royal Philharmonic Orchestra/Daniel Caine
18. V (The Series): Main Title - Brain In A Box: The Science Fiction Collection
19. Babylon 5: Main Title - Christopher Franke
20. The Simpsons: Treehouse Of Horror I (Kang & Kodos Medley): Holy-Moly/We Offered You Paradise - Brain In A Box: The Science Fiction Collection
21. The X-Files: Main Title - Mark Snow
22. Changing Channels - Brain In A Box: The Science Fiction Collection
Disc: 3: Pop
1. Telstar - The Tornadoes
2. Blast Off - Jimmie Haskell And His Orchestra
3. Out Of Limits - The Marketts
4. Have You Seen The Saucers - Jefferson Airplane
5. Waiting For The UFO's - Graham Parker & The Rumour
6. Spaceman - Nilsson
7. Space Child - Spirit
8. Flying Saucer Safari - Suburban Lawns
9. UFO - Soul, Inc.
10. Rocket - Jow Bennett & The Sparkletones
11. Rocket To Nowhere - Webb Wilder
12. For Science - They Might Be Giants
13. Machines - Lathar & The Hand People
14. Beyond Tomorrow - Stan Ridgway
15. Theme For The Creature From Under The Sea - Milton DeLugg
16. Humans From Earth - T-Bone Burnett
17. One Step Beyond: Fear - Main Title - The Ventures
18. Rocket Ship - Vernon Green & The Medallions
19. Radar Blues - Chris Conner
20. Creature With The Atom Brain - Roky Erickson
21. Rocket Ship - Kathy McCarty
22. After The Gold Rush: Prelude - Prelude
Disc: 4
1. Frozen Neptune - Russ Garcia & His Orchestra
2. Lunar Rhapsody - Les Baxter
3. Man From Mars - Ferrante & Teicher
4. On The Dark Side Of The Moon - Frank Comstock
5. Saturday Night On Saturn - Les Baxter
6. Welcome To Tomorrow - Attilio Mineo
7. Space Reflex (Blues In 5/4) - Dick Hyman
8. The Planets: Mars, Bringer Of War - The City Of Prague Philharmonic/Nic Raine
9. Theremin Solo - Dr. Samuel Hoffman
10. Guitars In Space - Billy Mure
11. Nova (Exploding Star) - Russ Garcia & His Orchestra
12. Space Is The Place - Sun Ra
13. Twilight Zone - Raymond Scott & His Orchestra
14. Cosmic Ballad - Perrey-Kingsley
15. Moon Gas - Dick Hyman
16. Monsters Of Jupiter - Russ Garcia & His Orchestra
17. She Likes Me - Jerry Goldsmith
18. Tone Tales From Tomorrow - Frank Coe
19. Alien - Leonard Nimoy
20. On Planet X - David Garland/John Zorn
Disc: 5
1. The Flying Saucer (Parts 1 & 2) - Buchanan & Goodman
2. Beep! Beep! - Louis Prima
3. The Blob - The Five Blobs
4. Martian Hop - The Ran-Dells
5. Music To Watch Space Girls By - Leonard Nimoy
6. Planet Claire - The B-52's
7. Gigantor - The Dickies
8. Two Little Men In A Flying Saucer - Ella Fitzgerald
9. Flying Saucer Attack - The Rezillos
10. Flyin' Saucers Rock 'N' Roll - Billy Riley & His Little Green Men
11. UFOs, Big Rigs & BBQ - Mojo Nixon & World Famous Blue Jays
12. We're Going UFO'ing - Jimmy Durante
13. Surf Trek - The Rubinoos
14. Mister Spaceman - The Holy Modal Rounders
15. Meet Space Pilot Jones - The Satellite Singers
16. The Purple People Eater - Sheb Wooley
17. Knocked Out Joint On Mars - Buck Trail
18. Tiny Space Man - Bill Carlisle
19. (When You See) Those Flying Saucers - Buchanan Brothers & The Georgia Catamounts
20. Unfunky UFO - Parliament
21. You Came From Outer Space - The Kirby Stone Four