HI-FI SCI-FI: Vintage Monster/Space/Horror/Futurism Audio Oddities

Now up for your downloading pleasure, six (and counting) volumes of monstrous mix-tapes, perfect for these Halloween-y times we're living in. And what might their contents be? Compiler Cat A. Waller sez: "I'm afraid to say what's on them. Might get googled and busted. I'm kinda wimpy like that." Well, after checking out three volumes (so far) I can heartily recommend this witch's brew of vintage horror rock, more recent New Wave and novelty artists, and relevant sound (vampire?) bites and film dialogue, amongst other surprises.

Monstro Monster Mixes 

Still not enough for ya? "Hi-Fi Sci-Fi," the latest installment in our continuing exploration of mid-century arty-facts from the Golden Age of Cool, deals with every aspect of the fantastic: Outer Space! Monsters! Monsters from space! Not only is much of this stuff ripped from vinyl and, so far as I know, has not been compiled on other collections of vintage sleazy-listening sounds, but there's also a number of tracks recorded off of video: movie songs (and dialogue, sound fx, etc.) that were not released on record, but should have been. There will be more such movie musics in future volumes. So keep watching the skies!

Apart from the unknown garage rockers and novelty acts releasing 45s on regional labels, we also have a few big stars: Diana Ross & The Supremes, Bo Diddley, Louis Prima...and crooners. Crooners already rule, but when they sing straight-faced, sincere, utterly inappropriate 'love themes' to cheesy b-movies, they just get, er, 'rule-ier.' Bobby Rydell's finger-snappin' vocal version of "Telstar" must be heard to be believed. See also: "Journey to the Seventh Planet" on "Vol. 5".

Lowbrow Vol. 6: HI-FI SCI-FI 

01 The Crescendos - Countdown
02 Louis Prima - Fly Me To The Moon [from a private-press release by this king of Vegas lounge singers]
03 Gemini & The Planets - Copa City Promo, Miami, FL ["gyrating go-go girls dancing on a bed of nails"?!]
04 The Supremes - Dr. Goldfoot and the Bikini Machine [wouldn't it be nice to hear the oldies station play this theme song to a nutty Vincent Price film instead of "Baby Love" for the umpteenth time?]
05 Monty Johnson - Flying Saucers in the Air
06 The Sci-Fis - Science Friction
07 Ralph Young - Moon Doll [future half of very successful duo Sandler & Young croons the theme to "Nude On The Moon," a film about nudes on the moon.]
08 "Frankenstein Meets the Space Monster": Bob Crewe - Scramble All Jets
09 Big Maybelle - Egg Plant That Ate Chicago [rhythm and blues legend Maybelle recorded the original "Whole Lotta Shakin Goin On"; which is all well and good, but I prefer this]
10 "Annihilation"
11 "Beach Girls and the Monster" - suspense music [My title - like track 15, I don't know the names of the uncredited pieces of music]
12 Bo Diddley - Mummy Walk
13 "Evil Hand"
14 Frankie Avalon - Voyage to the Bottom of the Sea
15 "Beach Girls and the Monster" - spooky bongos
16  "Beach Girls and the Monster" Kinsley The Lion & Elaine Dupont - Monster In The Surf
17 Astronauts - The Hearse
18 Teddy and Darrel - Gary Ghoul Boy [pioneering campy gay humor]
19 "I am Robert Robot, mechanical man. Ride me and steer me, wherever you can"
20 Bent Bolt & The Nuts - The Mechanical Man
21 "HAL is Operational"
22 Ray Cathode - Waltz In Orbit [featuring a pre-Beatles George Martin!]
23 Buchanan & Goodman - Frankenstein of '59
24 Carl Douglas - Witchfinder General [yep, the "Kung Fu Fighting" guy; I literally did LOL listening to this one]
25 "Werewolf in A Girl's Dormitory": Marilyn Stewart/ Frank Owens - Ghoul in School
26 Frankie Stein and his Ghouls - Three Little Weirds [This sounds like it may be the song "Jerk" from "Lowbrow Vol. 2," only w/added crazy sound fx]
27 Bobby Rydell - Telstar [This song had lyrics? Believe it or don't! The vocal version was often called "Magic Star."]
28 "Frankenstein Meets the Space Monster" - capture of the earth women 
29 Travis Wammack - Theres A UFO Up There
30 Orange Groove - A Bad Trip Back to '69 [I think this song appears on the 101 Strings album "Astro-sounds": probably more budget label shenanigans, like track 26]
31 Lex de Azevedo / Doug Stewart - Zero Population [An ultra-conservative's idea of a dystopian future, from "Saturdays Warrior," a Mormon rock-opera - yes, there really was such a thing. Lex de Azevedo had a long career w/Capital records, releasing the Mrs Miller albums!]
32 Charleton Heston - "Soylent_Green"
33 Columbia Playtime Orchestra - "Rocket Ranger Song"
34 David Rose - Forbidden Planet [The man behind the huge hit "The Stripper" is a long way from the burly-q house here]
35 Count Chocula, Frankenberry, and Boo Berry - Monster Adventures In Outer Space

artwork courtesy of Mitch O'COnnell
 

ATTACK OF THE KILLER FILLER

 WILD! RAW! UNINHIBITED!

These savage young rock'n'roll instrumentals live for 'kicks'! And beware the 'square' who stands in their way!


In the 1950s and 1960s, countless records were cranked out by the "budget labels," whose releases were essentially the music industry equivalent of cheapie exploitation films. Like those groovy movies, screened at drive-ins and grindhouses away from respectable cinemas, budget records were usually not found in record stores, but in the racks of places like drugstores. They were impulse buys, sold for a dollar, at a time when proper albums went for $3-4. And like z-movie producers, budget labels used all manner of deceptive, eye-grabbing visuals to lure suckers, er, I mean customers into buying their often inferior products. Case in point: an album called "Bye Bye Birdie" with an album cover (pictured right) presumably depicting a scene from the musical film of the same name. This album features a grand total of ONE (1) song from the film (and a remake at that). Also featured here are albums by popular folk/pop star Trini Lopez, and jazz-man Buddy Tate, both featured only on side one.

So who was performing on the rest of these albums? Who knows? It is safe to say that there never were any actual bands with names like the Exotic Guitars or the Rock and Rollers Orchestra. Budget labels would acquire tapes, sometimes thru rather dubious means, and release them under a variety of phony artist names and song titles. It may seem hard to believe now, but in the '50s/early '60s such now well-regarded styles as blues, r'n'b, and rock'n'roll were, for the most part, not considered mainstream. So these tapes could be had for cheap.

It's unfortunate that we'll probably never know who performed this music, since it's quite good. The Exotic Guitars sound like session cats doing their impression of surf rock, and the Rhythm Rockers might be sessioneers, too. But I would imagine that the Rock and Rollers Orchestra was a black rhythm-and-blues nightclub band - they blow like crazy, dad. Music scientifically designed to rock a party  to da break-a-dawn. The band probably never made a penny from these recordings.

Of course, there's lots of uninteresting filler out there, too. And we're lucky with today's selections so far as sound quality is concerned, since budget labels like Crown were notorious for using the worst quality vinyl, and these sides sound pretty good. Both the Bella St Clair and the R'n'R Orch records start off fairly low key before getting increasingly crazed, so perhaps there was some actual thinking going into the sequencing at least. Those albums cover, tho...oy. That Buddy Tate one's a beauty, eh?


KILLER FILLER
(All tracks sourced from 99 cent vinyl)
Exotic Guitars:
1. Walkin Around [essentially a rock rip-off of Ray Barretto's "El Watusi," which was a great song, so fine by me.]
2. Time of My Life
3. Goin Home
4. Susan
5. Beach Party

Bella St Clair and the Rhythm Rockers:
A1 Rock A Bye [continuing in the surf-y vein]
A2 Rocking Guitar
A3 Tribute To Birdie [now it's starting to get wild, w/some screamin' sax]
A4 Rolling Theme [superb rockabilly - frantic, man, frantic!]
B1 Rolling With The Punch
B2 Teen Frenzy
B3 Jamboree
B4 Final Farewell
B5 Phone Fancy

The Rock and Rollers Orchestra:
1 - Let's Rock and Roll
2 - Romp And Stomp
3 - Long N Lean
4 - The Screwdriver No 1
5 - Cool Fool [the screwdrivers must be kicking in, cuz this song is nuts]
6 - Soda Bob [a bump-n-grinder for you burlesque dancers]

When Surfing In Space, Apply MOON-TAN LOTION

46 years ago today, humans walked on the moon for the first time, as millions watched on TV (the Soviets, via their own Luna 15 craft, were no doubt angrily shaking their fists at the screen!), and some even watched with their naked eye by telescope. One British Colombian astronomer actually watched without a telescope - he knew the night sky so well that he could tell which dot was Apollo 11. The actual landing craft and American flag is still there, also visible by telescopes, and, were you to land at Tranquility Base, you could even see Neil Armstrong's footprints. Not a whole lot of weather on the moon.

Apart from the Space Race, the Sixties also gave us surf rock, and trashy rock 'n' roll in general. Two great tastes that go great together! Seems like a good time to celebrate this most holy of unions, what with the amazing Pluto mission now happening, and surf music feeling so right in this summer heat. 

These are mostly guitar instrumentals, but wacky sci-fi sound fx, keyboards, horns, and even some orchestral arrangements all add plenty of variety. And so you don't o.d. on instros, there's a few vocal numbers as well. I've always loved the Steven Garrick and His Party Twisters song (the female singer reminds me of Rusty Warren) yet for some reason I still haven't listened to much of the rest of the album. A little twisting goes a long way. There's also some rockabilly, doo-wop, some great lounge crooning ("Journey To The 7th Planet"), and one of Brian Wilson's greatest bits of lunacy (yes, it was once thought that the moon - Luna - caused madness). And then there's Sandy "King of the Surf Drummers" Nelson's "Beat From Another World," 7 bewildering minutes of studio and tape effects + drum solo that is certainly unlike anything else I've ever heard. It's more avant-garde then most stuff that thinks it's avant-garde.

I kinda cheated this time and included some modern surf bands along with the oldies, e.g.: contempo groups covering songs from the Ventures classic "In Space" album, and the "Blob" and "Dr Who" covers. They're just too good. But no Man or Astro-Man - seeing as how their entire career is surf-in-space, they would be a bit too obvious, no?
 
And once again, as we usually do when we get all mid-century lowbrow, there's some audio ephemera thrown in. This time, it's: 'B' movie ads and dialogue, a children's record, and sci-fi sound effects. And, as per usual, the collection's title and artwork (cartoonist Bill Wenzell, in this case) are courtesy of vintage men's magazines.

Lowbrow Vol.5 MoonTan Lotion - A MusicForManiacs Collection

Do I have to write out the track list? It's 30 tracks and I'm tired!
UPDATE 7/22: Thanks to a reader with a suitably sci-fi handle,
Soylentwhitetrash, the tracklist is now in Comments.

"Female Trouble": The Soundtrack

By request from multiple requesters requesting requests...now back on-line:
RIAA: "Sounds For The Swing-Set," "Radical, Intense and Awesome", and "Schizophonia Suite." And just in time for summer: "Soul Surfin'."

Following the recent post of the soundtrack to the John Waters film "Pink Flamingos," blogger extraordinaire Jonny Zchivago slipped us the OST to Waters' 1974 classic "Female Trouble." Ingredients: some splendidly sleazy early rock, inc "Underwater," one of my fave surf oddities; Nervous Norvus hippin' the squares to that jive lingo; the singing debut of Divine; some slices of corny suburban cheese; and choice bits of dialogue from the film. As the great Nervous Norvus would say, dig-a-roonee:

"Female Trouble" Soundtrack + Bonus Filth!

01 Divine - Female Trouble Theme [original lyrics sung over an existing song...but what is the song?]
02 "Christmas at the Davenports"
03 Gene Autry - Jingle Bells
04 Ruby Wright with Cliff Lash and his Orchestra and the Dick Noel Singers - Merry, Merry, Merry, Merry Xmas
05 "The World of Heterosexuality"
06 Chuck Río & The Originals - Blue Kat
07 "A Meatball Sandwich"
08 Nervous Norvus - Dig
09 Bill Black Combo - Yogi
10 101 Strings Orchestra - Bridal March
11 "Retarded Brat"
12 The Frogmen - Underwater

Order now and we'll include these free gifts! Some songs not on the soundtrack, but inspired by the film that I've added to the file Jonny sent us:

- D. Sticker Ensemble - Massey Resource [sound collage of film dialogue vs Philip Glass (?)]
- Eartha Kitt w/Bronski Beat - Cha Cha Heels [a couple of disco/house stompers]
- Rosabel w/Jeanie Tracy - Cha Cha Heels
- The Cowslingers - Cha Cha Heels [trashy garage-rock]

Thanks and praise to Jonny Zchivago!
  

TRIBUTE TO PINK FLAMINGOS

Donald Featherstone, the appropriately-named creator of those plastic reproductions of our pink feathered friends, has just passed away at the age of 79. As if being the father of the world's most notorious lawn ornament wasn't eccentric enough, Featherstone and his wife were also known for always wearing matching outfits! Now that is just the sort of weird, goofy, good ol' American trash culture that John Waters immortalized in his 1972 film. 

If you haven't seen "Pink Flamings," perhaps the ultimate cult movie, I sure as hell ain't gonna tell you about it. Let's just say that even tho I only saw it once - and this was back in the '80s, when the earths' crust was still cooling and dinosaurs walked the earth - a mere glance at the song titles of the soundtrack recall images that are permanently seared into my brain. So let's pay tribute to Mr. Featherstone with the suitably trashy soundtrack of '50s/60s rock, r'n'b, and easy-listening oldies that Waters used to underscore his characters foul (not to mention fowl) behavior. Some of these songs are as insane as any crazed early rock (e.g.: "Chicken Grabber," "Surfin Bird") while others, like the perfectly presentable "Happy Happy Birthday Baby," are used as ironically innocent counterpoints to the on-screen depravity.

Plus! At no extra cost to you! Other "Pink Flamingos"-related audio oddities thrown into the file:

- Edith Massesy's single, which featured her "singing" a cover of the Four Seasons' "Big Girls Don't Cry," and a lovely original, "Punks (Get Off The Grass)." Massey had moved to the Venice Beach neighborhood of Los Angeles, and her thrift store was a popular hangout for local punks and weirdos, who recorded this with her in 1982.

- Divine "You Think You're A Man" (7'' version); S/He recorded a surprising amount but I just have this one catchy bit of '80s disco.

- The Illuminoids "Satan Said Walrus Eggs," a mashup from 2007 that mixes Massey's "Pink Flamingo" dialogue with the Beatles, over a stomping beat from Clap Your Hands Say Yeah. The Egg Lady meets the Egg Man, with special guest: Satan. One of the members of the Illuminoids was Howie Pyro, who took the name for his super-swell internet show "Intoxica" from one of the songs on this here soundtrack:

"Pink Flamingos" + Bonus Filth

1. The Swag - Link Wray & His Ray Men

2. Intoxica - The Centurions

3. Jim Dandy - LaVern Baker

4. I'm Not A Juvenile Delinquent - Frankie Lymon And The Teenagers

5. The Girl Can't Help It - Little Richard

6. Ooh! Look-A There, Ain't She Pretty - Bill Haley & His Comets

7. Chicken Grabber - Nite Hawks

8. Happy, Happy Birthday Baby - The Tune Weavers

9. Pink Champagne - The Tyrones

10. Surfin' Bird - The Trashmen

11. Riot In Cell Block #9 - The Robins

12. (How Much Is) That Doggie In The Window - Patti Page

Swim With The Go-Go's (The Guy-Guy Go-Go's, Not The Girl-Girl Go-Go's)

 


































Was quite happy to hear from Roger Yorke of the '60s vocal trio The Go-Go's who sang on the delightful oddity "The Munsters" we posted last year. After pestering the poor guy for information, he most graciously filled us in on the story behind the album. 

The Go-Go's consisted of Yorke, Bill Wild, and Jim Infield, backed by the legendary Hollywood session cats, The Wrecking Crew (currently the subject of an excellent documentary film, by the way.) Mr. Yorke says: 

It was the three of us on vocals along with most of the best studio musicians of the time, including Leon Russell, Glen Campbell, etc.. All the songs including instruments & sound affects were recorded at the session at RCA Hollywood. We did do some travel & TV appearances as the group with special full head form fitted masks from Universal Pictures. We even got to spend time on the original TV Show set.

[Any surviving videos of their tv appearances?!]

Both the Munsters and The Go-Go’s was quite a musical transition for us with Joe & Hal [producers Joe Hooven & Hal Winn] being in their forties & fifties, I re-wrote & re-arranged the songs as much as I was allowed. Bill Wild and I had played around town very successfully in groups and progressed well in our careers. Jim Infield lived in Germany at last contact I had a few years ago. I now produce and manage singing artists after being executive A&R for the Majors.

I wondered if any legal action was ever considered against those New Wave Valley girls who would use the name in the '80s. Not only did that not happen, Yorke tells us that 

RCA owned the name Go-Go’s and I worked with and promoted the girl’s group.

Ha, that's great. The Go-Go's also released an album under their own name of Beach Boys/Jan and Dean-type vocal surf rock. The opener "(They Call Him) Chicken Of The Sea" boasts not only cool chicken-scratch guitar, but tells the nutty story of the title character who's afraid of water: anti-surf music? Also most dig-able: the 3-chord garage rocker "At The Beach," the Phil Spector-ish "Do The Malibu," the cover of Eddie Cochran's "Summertime Blues." I'm glad scuba divers and snorkelers finally get a boss tune of their own in "Underwater." And what's not to love about a song called "Peek-A-Boo Swimsuit"?

I would be flattered if you posted Swim With The Go-Go’s. I was the only one who surfed and we all lived in California.

There are many stories to tell…

THE GO-GO'S - Swim With The Go-Go's [1964]

A1	(They Call Him) Chicken Of The Sea
A2	Lonely Girl
A3	Summertime Express
A4	Goodbye Winter
A5	Kingfish
A6	Summertime Blues
B1	Underwater
B2	On The Beach
B3	Do The Malibu
B4	Peek - A - Boo Swimsuit
B5	Sand Swimmer
B6	Swim Time U.S.A.

Much thanks to Roger Yorke!! 
 

HUBBA HUBBA!: The Big Band Beat of Bad Girls and Burlesque

Back up by request: Roky Erickson's kids party, and "Carnival in Paradise."

Seeing as how our previous collection of mid-century sleazy-listening music is, by a wide margin, the most popular post of the year so far, I guess I'd better keep feeding you cool cats and crazy kitties more rarities and vinyl obscurities from the Golden Age of Bad Taste:

In the heydey of burlesque, dancin' goils twirled their tassels and bumped their rumps to live bands, not to a dj playing Salt n Pepa or Motley Crue. MCs, specialty acts, and comedy teams were also on the bill if for no other reason than to keep up the pretense that these were "variety shows" - something for everyone! - and not just lewd displays of wanton flesh. Tho the burlesque show format may have been created to skirt (so to speak) the censors, it ended up working quite well as an all-around entertainment package, surviving to this day. There's probably a 'burly-q' revival show near you now.

But this stuff is from the original era, the 1940s - 1960s (I'm aware that burlesque preceeds the '40s, I just don't know of any earlier music). The first track is  apparently   recorded live "in the field" from an album called "Burlesque Uncensored." I was gonna post the whole album, but it's actually in print thru Smithsonian Folkways (your tax dollars at work?)

Apart from the expected bump-and-grind jazz, there's also some wild early rock n roll, exploitation movie radio ads and dialogue, low-budget lounge combos, and show-tunes (e.g. Natalie Wood in "Gypsy," the Gyspy Rose Lee biopic, and another version of the "Take it off the E-string" song that was featured on vol 1).  And then there's the one musical moment from the infamous '60s S&M sound-effects album, "Tortura!"

I also recorded some burlesque film soundtrack music off videos, performed by anonymous sleaze-meisters. This was some years ago when I recorded these, and I can't find most of those films on the YouTubes now.  Too bad, the "Snakes" one in particular was great: a campy guy shouting "Snakes!" and running off camera, followed by a girl dancing with an actual, live enormous boa constrictor-type beastie. Towards the end, she even starts to put the snakes' head unto her mouth. A search for "snakes + burlesque" didn't come up with anything, but if any of you-all know this one, send us the links, pleeze!

And for some great reading whilst listening to this music, check out our pals at  
Decadent History for a plethora of fascinating articles. Learn your history, kids! 

Lowbrow Vol.3 Hubba Hubba! - A MusicForManiacs Collection

01 "Burlesque Uncensored" - lobby talker-chorus line-strip tease
02 Natalie Wood-Let Me Entertain You [from "Gypsy," 1962]
03 "Angels Wild Women"
04 Perez Prado - Exotic Suite of the Americans (excerpt)
05 Kay Kyser His Orchestra - Strip Polka [The Andrews Sisters also recorded this popular '40s Big Band number]
06 Dick Dale & His Del-Tones - Take It Off
07 "Varietease" - Betty Page, Bobby Shields [video soundtrack]
08 "The Naughty Stewardesses"
09 Dick Contino & Eddie Layton - Blues in the Night [accordionist Contino isn't just a James Ellroy character; in fact, he's real, alive, and still performs] 
10 Barbara Stanwyck - The G-String Song [from the 1943 film "Lady of Burlesque", recorded off video]
11 Big Jay McNeely - Striptease Swing [sax wildman, veteran of LA's legendary Central Ave scene, is also still alive and blowin']
12 Eddie Wayne [actually surf/session guitarist Jerry Cole] - Dig Ye Deep
13 Jayne Mansfield - Suey [the great blond bombshell is backed here by a pre-fame Jimi Hendrix!]
14 Ricky Vale & The Surfers - Ghost Surfin'
15 "Nurses for Sale"
16 John Barry - The Stripper [nope, not the David Rose hit (see below); yep, the James Bond soundtrack guy]
17 Ernie Freeman - The Stripper [Freeman's the man who brought Sinatra into the r'n'b scene with "That's Life"]
18 "Porno Photos"
19 "Tortura" - untitled (Track 21)
20 "Snakes"
21 Snakes! [burlesque film soundtrack]
22 The Knight Beats - Going To Town
23 Hal Blaine & The Young Cougars - Gear Stripper [Blaine is possibly the most recorded drummer in history; he's certainly one of the few to record a drag-race/burlesque fusion song]
24 The Bangers - Baby Let Me Bang Your Box, Part 1 [this r'n'b shouter is, of course, referring to the lady's piano]
25 John Buzon Trio - Ill Wind
26 Voodoo Virgin - [burlesque film soundtrack]
27 Stan Kenton - Blues In Burlesque [No, that's not Tom Waits singing, it's drummer Shelly Mann, with Maynard Ferguson blowin', from 1951]

All tracks safe for work! We like wholesome sleaze around here.

We'll Be Right Back After These Brief Messages...

Let's get commercial...

Back in 2008 we posted a hilarious radio spot from the conservative religious group Focus on the Family responding to a law passed in Colorado that allowed trans-gendered people to use public bathrooms. Recently we received this fairly genius bit of animation that illustrates the ad, making it even funnier. It comes to us courtesy of Mutant Lab, who are clearly doing the Lord's work. Work it, girl!

A clever, amusing new music video by Los Angeles rocker Taylor Locke finds the artist tooling around town in a motorized easy chair, the comfy kind one might find in a living room. The video makes it look like a cheesy tv commercial for what I thought couldn't possibly be a real product, but upon further investigation, the website appears to be real. Ok...What could one possible do with one of these things? I doubt that they're street-legal. It certainly does make music videos more interesting (along with the nekkid lady!) The catchy power-pop music is quite good, too.

Sound collagist I Cut People have a mordantly funny new on-line album that slices and dices innumerable American media sound bites, revealing the existential angst, neuroses, and anxieties contained in bland public service announcements, cheerful commercials for medications, news broadcasts, and chat shows. The tracks are brief and the whole thing flies by fairly quickly, but it's not background music. Attention must be paid to catch the rapid-fire edits in such wickedly surreal cut-ups as "Ebola Vacation" and the lewd, rude "Watch Me, Innocence." Listen for free, buy for cheap:

I Cut People: "Miserable Day"
Bandcamp page

We now return you to our usual programming...

Be Stoned! Dig: Zipps

There's 'beat' as in the Beat literary movement that produced beatniks, and poetry read over (usually) jazz music.  And there's 'beat' as in the European '60s rock'n'roll-inspired pop. The kooky, sometimes hilarious Dutch band The Zipps combine both: yes, a Beat Beat group.

Their music's fine in a basic mid-'60s garage kinda way (some tunes are quite catchy), but the real distinguishing characteristic of The Zipps is singer/guitarist Philip Elzerman's English-as-a-second-language vocals, which are either nonsensical, or obscured by his thick accent. Or both. In the Ramones-y titled, Byrds-y sounding "Kicks and Chicks" Elzerman claims that he "read all the books of Jack Kerouac," but he pronounces that Beat icon's name as "Ker-acky." Two lengthy tracks called "Beat and Poetry" are live all-Dutch language spoken word over peppy rock music, not jazz. An odd combination. Tho in the hysterical "Hipsterism," one of the greatest, funniest '60s nuggets I've heard lately, Elzerman says "I always like to listen to good jazz/You're a square! And you don't like it, I guess!" Followed by a solo on that most rock'n'roll of instruments, the flute. Having said that, the groovy a-go-go instrumental version of "Lotus Love" is one of my faves off this career-spanning collection. Wish I could hear all of "LSD 25" minus the interview on top of it, it's a great Seeds-y proto-punk stomper.

The Zipps - Be Stoned Dig Zipps.zip

Thanks again to our psychedelic nugget farmer, Count Otto Black!

1	–	Highway Gambler
2	–	Roll The Cotton Down
3	–	Kicks And Chicks
4	–	Hipsterism
5	–	Beat & Poetry Part 1
6	–	Beat & Poetry Part 2
7	–	Marie Juana
8	–	The Struggle For Ice-Cold Milk Of Benzi The Bassplayer Or How To Promote Original Dutch Milk
9	–	When You Tell It, Tell It Well..!
10	–	Lotus Love (demo - vocal version)
11	–	Walking On This Road To Mine Town (previously unreleased live track)
12	–	The Beer Hall Song (previously unreleased live track)
13	–	Kicks And Chicks (previously unreleased live track)
14	–Philippe Salerne* & Zipps, The*	Avec De L'Italie
15	–Philippe Salerne* & Zipps, The*	Venez Voire Comme On S'Aime
16	–	Lotus Love (instrumental - previously unreleased demo version)
17	–	The Struggle For Ice-Cold Milk Of Benzi The Bassplayer Or How To Promote Original Dutch Milk (previously unreleased stereo version)
18	–	Kicks And Chicks (previously unreleased stereo version)
19	–	LSD 25 Interview

VOODOO DANCE DOLL: 1950s/60s Rock'n'Roll Exotica

Bongos in the Congo!  Apes in the jungle! Tikis, cannibals, and witch doctors! Grown men making tropical bird calls! Sound familiar? But this ain't no jazzy Martin Denny-style exotica for grown-ups' cocktail parties. No, my teen-age hoodlum friends, this sampler of exotic rock (rock-xotica?) + relevant soundbites marks this blogs' return to weekend-starting sleazy-listening sounds from the Golden Age of Cool. As with the first collection that kicked off this on-again/off-again project, many of these tracks were recorded off my vinyl, songs that hopefully have not been featured on similar comps like the "Jungle Exotica" series. My records are in various states of preservation, so I did track down some digital replacements when available. But most of this is out-of-print wax whose occasional pops and cracks can be thought of as the crunching of jungle undergrowth beneath the furious feet of Watusi exotic dancers (in all senses of the phrase).

Ingredients: surf rock, doo-wop, rhythm 'n' blues, novelties, some actual ethnic peoples, movie clips, radio ads, excerpts from a record meant to accompany a slideshow or filmstrip about the Congo, Africa (unfortunately, it did not contain the visuals), and some loungey things, but with a backbeat. There are a few well-known hit-makers here like Eartha Kitt, the Dave Clark Five, and Santo & Johnny, but as these records are from the gloriously unself-conscious pre-rock critic era*, many of these artists have been lost to the mists of history. 

Voodoo Dance Doll - an M4M Collection.zip

01 congo slideshow- weekend dance
02 Mel Taylor & The Magics - Bongo Rock
03 The Vistas - Tiki Twist
04 Leni Okehu and his Surfboarders - Hawaiian People Eater
05 Eartha Kitt - Honolulu Rock And Roll
06 congo slideshow - superstition dance
07 Muvva Hubbard & the Stompers Congo Mombo
08 "Alligator Man"
09 The Dave Clark Five - Chaquita
10 The Pyramids - 
Koko Joe
11 "100 Percent Gorilla"
12 The Rocking Vickers - I Go Ape
13 Billy Mure - Tabu
14 congo slideshow - witch doctor
15 Werner Hass - Oh-ee-oh-ah-ah
16 Dick Dale & The Del-Tones - Jungle Fever
17 Jerry & Mel - Cannibal stew
18 "Zombie Island Massacre" - Zombie Attacks Honeymooners
19 congo slideshow - drumming
20 Mel Taylor & The Magics - Drums A Go-Go
21 Thurl Ravenscroft - Dr Geek From Tanganyika
22 Buddy Morrow And His Orchestra - One-Two-Three-Kick (The Original Conga) pt1.
23 Roger Craig - Song of India
24 The Fugitives - Human Jungle
25 Bela's "Jungle Hell"
26 Roy Estrada and The Rocketeers-Jungle Dreams Part 2 
27 Busby Lewis - Jerk
28 Susan King-Drum Rhythm
29 Yngve stoor - Hula Rock
30 Perez Prado - Cuban Rock
31 Leni Okehu and his Surfboarders - Hawaiian Rock
32 Freddy Cannon - Everybody Monkey
33 Johnny and Santo - Caravan
34 congo slideshow - watusi
35 Big Walter and the Thunderbirds _ Watusie Freeze part 1
36 "shrunken heads" ad
37 Buddy Morrow And His Orchestra - One-Two-Three-Kick (The Original Conga) pt2
38 Marti Barris - Ahbe Casabe
39 Sandy Nelson - Casbah 

Thanks to Count Otto for the Rockin' Vicars!

*Cartoonist/record collector Robert Crumb has described the early rock he really liked as "proletariat," and indeed, there may be some class-ism behind the critical dismissal of so much rock prior to the mid-'60s: once rock scrubbed off all of that honky-tonk/ghetto stank and adopted such middle-class, college-educated features as "poetic" lyrics and classical European influences, then it finally merited the status of High Art. But of course, the music wasn't really improved so much as it simply changed - from fun, funny, energetic, sexy, and atmospheric to...not as much. Rock didn't get better, it just moved to the suburbs.