Showing posts with label Bandcamp. Show all posts
Showing posts with label Bandcamp. Show all posts

HAPPY (BAND)CAMPERS: WEIRD EDITION


"American Folk Music" is the most boring possible name for an album, but fear not! The latest release from veteran North Carolina wackos the Moolah Temple $tringband is anything but dull. They take songs from Harry Smith's venerable "Anthology of American Folk Music" and radically warp them by introducing such elements as exotic Middle Eastern-isms, clanging and banging percussion, incongruous '80s hip-hop style drum machine beatz, even a bit of rapping on one song, and mix them with the trad sounds of guitars, banjos, and a skillful fiddle that suggests that someone has been taking music lessons. The hideously/hilariously inappropriate combination of traditional folk music and Autotune (!) on "Farmland Blues" had me laffin' out loud. Also dig: the fuzz guitar crunch of "Little Moses" (even tho it goes on too long), and a version of "John Hardy" that might even be better than the Gun Club's? Scuzzy vocals are often distorted beyond recognition. "The Titanic," however, actually approaches mainstream respectability, complete with perfectly competent backing vox.



Moolah Temple $tringband: "American Folk Music"

More Bandcamp weirdness ahoy! L.A. nutters Freshly Wrapped Candies have unwrapped an old album of theirs from 1989 chock full of hermetic, inscrutable DIY obsessions that, perhaps inevitably, are sometimes reminiscent of The Residents, esp. on songs like "Grandfathers' Rug". Other standout songs like the downright catchy "Think" and the Beavis and Butthead-ish "Pitter Pat" don't immediately suggest any particular influences. Organically strange, but not off-puttingly so. It emerges from the haze with its' humanity intact.

Freshly Wrapped Candies: "I Like You" 


HAPPY (BAND)CAMPERS: CHILL EDITION

I don't even know how to deal with the death of David Bowie, at least so far as this blog is concerned. He was such a monumental figure in my musical upbringing that I wouldn't know where to begin. Ah well...in lieu of anything relevant, here's the post I had planned for today. If, like me, you've just been listening to lots of Bowie and want to take a break for something a little new and different, I must say that the mood of these songs is strangely appropriate: 


What will you do with all that xmas scratch your relatives laid on ya? What, they didn't give you anything? Bastards! No matter - these zesty-flavored new(ish) releases can be listened to, and in some cases downloaded, for free.

We're long-time fans of Twink, The Toy Piano Band, and not only can you now check out his entire discography on the Bandcamps, but you cats must also dig his latest:


This album is inspired by winter, and so has a somewhat more somber tone to it. Somber, yet cartoon-ish, if you can imagine that. The master of toy-tronica is in fine form on such pick hits as "Pipper Snitch," and "Sparklemuffin."

Not sure how I discovered Corpus Callosum, probably by searching for unusual instruments, but this bunch of eccentric California folkies have come up with what is possibly the most gorgeous tune on Bandcamp. Musical saws and accordions beautifully creak along with sing-along vocals:


Corpus Callosum: "Hymnal"


Now that you're all properly relaxed, I shall send you off to dream-land with this stunning bit of Eno-Frippy drum-less drone courtesy of the Connecticut combo Landing.



Landing: "Yon"


As with the Corpus Callosum track, I haven't really listened to much else by this group. I just keep returning to this one. Music to hibernate by... 

BANDCAMP IS THE NEW CASSETTE CULTURE: Dark Ambient Edition

It's fall, Halloween is around the corner, so let's get moody with these FREE! listening/download contemporary internet releases of a decidedly strange and obscure nature. If Lovecraft's Miskatonic University had a college radio station, these albums would be on heavy rotation.



Ak'chamel: "Old Norse Mara" - Like the Residents attempting to summon occult entities (or The Elder Gods), this album is dark, distorted, evil ambience, culminating in the compelling "Death Was On You From The Moment of Birth." But it's then followed by an utterly incongruous surf-punk instrumental(?!). No matter, a demonically-possessed muppet then takes over the lead vox for the next track. (The more overtly shaman-istic "Fucking With Spirits" is plenty cool, too.) Price: Name your price.

Sasha Olynyk: "1955" (EP) - What is this, a '50s crooner & an EZ orchestra collaborating with Portishead? It's hard to tell thru the hallucinogenic fog. 25 minutes of mysterious melancholy,  sometimes quite beautiful, a la Boards of Canada, only Olynyk really is Canadian. The moment in "Surfers Dream" where the "Rebel Without A Cause" soundtrack morphs into the song is magical. Price: Name your price.

Hanetration - "Murmurist" ep - One of our fave ambient-ists. "Begin" is indeed a great place to begin; the gently clanking percussion + church organ drone of "Sundown" = one of his best ever. Price: Free


Duet for Theremin and Lap Steel: does what it says on the tin. Tho sometimes joined by guests, most of these free releases are by an Atlanta, GA duo who deliver deep drone instrumentals that sound nothing like the Space Age sounds you'd expect from theremins, or the usual country/Hawaiian-isms of steel guitar. All live, all improvised. Price: Name your price. See also: http://duetonline.net/sample


I'm Bringing Weirdness Back...

If you feel like genuine musical weirdness died with Sun Ra and Captain Beefheart, take heed!  We have some 
stone-cold freakazoids in our midst even today. To whit:
 
- The Everyday Film is raising funds for his next album. Judging by the excerpts of works in progress in the video 
below, it's the veteran outsider's most ambitious project yet, as it moves beyond his usual industrial nightmares 
into some realms of sound that actually resemble, well, music. Y'know, that some people will like to listen
 to? So give, brothers and sister, give 'til it hurts:

The Everyday Film - "Bleed Over" (GoFundMe site)
 
- Ostrich Von Nipple is such a great name that I thought there was no way that their music could measure up to it, 
but their latest album is an absolutely awesome acid-bathed assemblage of spazz-jazz-tronica, weirded-out lyrics, 
and a guest guitarist who has played with the Residents, no less. Songs like "Mad Martian Beach Party" actually
sound like their titles. One 10-minute track suggests prog, but prog is rarely this humorous and surreal.  Originally
released last year in hard copy formats thru Psychofon Records, including a very limited vinyl run, it's now available
digitally thru outlets like Amazon and iTunes. In Maniac-universe, this album would sweep the Grammys.

"Ostrich von Nipple Quantifies Absurdity" album Amazon page 
Ostrich Von Nipple "Upright Jerker" (mp3)
 
- Petunia-Liebling MacPumpkin, the gal who's so cray-cray she makes Kate Bush look like Barbra Streisand, is the
 one who hipped us to the Nipple. Her own latest video "Picked Fences" (see below) is another outlandish mixture of 
live action, animation, puppets, toys, video effects, and art-song.   
 
- Womb Pals' brief (13 minutes) name-your-price download EP "Baby Spinach" is mostly pleasantly low-key
piano ambience, but is notable for the track "perfection," which ingeniously samples the sounds of coughing and 
throat-clearing. No other instruments. Exactly the kind of thing that Maniacs might find clever and funny, and 
Normals might respond to by running away, hands over ears. That's irri-tainment! 
 
http://wombpals.bandcamp.com/releases 
 
- The Chewers are the twisted Southerners whose two previous albums got rave reviews from Yours Truly on these 
here virtual pages. They're still spewing out their inbred hell-billy guitar rock primitivism, but with seemingly
a bigger budget. More instrumental sounds, cleaner production, guests vocalists - they sound better
than ever, tho the songs are not sticking with me the way their earlier work did. One track, however, the utterly
over-the-top "Misanthropic Bones," just might be the greatest thing they've ever done. It's a kind of rap song, 
with a clenched-teeth Chewer sptting out rhymes like "I don't get enough sun or sleep/I'm a hollow, distorted 
creep."
Well, aren't we all?

The Chewers "Dead Dads" album Bandcamp page
The Chewers  "Misanthropic Bones" (mp3)

 

We'll Be Right Back After These Brief Messages...

Let's get commercial...

Back in 2008 we posted a hilarious radio spot from the conservative religious group Focus on the Family responding to a law passed in Colorado that allowed trans-gendered people to use public bathrooms. Recently we received this fairly genius bit of animation that illustrates the ad, making it even funnier. It comes to us courtesy of Mutant Lab, who are clearly doing the Lord's work. Work it, girl!


A clever, amusing new music video by Los Angeles rocker Taylor Locke finds the artist tooling around town in a motorized easy chair, the comfy kind one might find in a living room. The video makes it look like a cheesy tv commercial for what I thought couldn't possibly be a real product, but upon further investigation, the website appears to be real. Ok...What could one possible do with one of these things? I doubt that they're street-legal. It certainly does make music videos more interesting (along with the nekkid lady!) The catchy power-pop music is quite good, too.


Sound collagist I Cut People have a mordantly funny new on-line album that slices and dices innumerable American media sound bites, revealing the existential angst, neuroses, and anxieties contained in bland public service announcements, cheerful commercials for medications, news broadcasts, and chat shows. The tracks are brief and the whole thing flies by fairly quickly, but it's not background music. Attention must be paid to catch the rapid-fire edits in such wickedly surreal cut-ups as "Ebola Vacation" and the lewd, rude "Watch Me, Innocence." Listen for free, buy for cheap:

I Cut People: "Miserable Day"
Bandcamp page

We now return you to our usual programming...

March Forth, 2015

By request, Phantascist is back on-line.


As today is March 4th, let's march forth once again with the Now Sounds of alternative marching/brass bands with a sampler of releases from recent years from bands that you won't see parading onto a sporting events field, or serenading politicians. A sterling example of 'antique-garde' music - new, experimental sounds using pre-rock, antique instruments and methods.

I don't know how mobile they all are. I did see Mucca Pazza live a year or two ago, so I can vouch for them- they went marching all over the place before they finally hit the stage.

March Forth 2015

1. 9th Ward Marching Band - Halloween Beat [covering John Carpenter, and a bit of Mike Oldfield]

2. 9th Ward Marching Band - Slowride [a couple of classic rock covers, from this krewe that features the king and queen of New Orleans high weirdness, Quintron and Miss Pussycat]
3. 9th Ward Marching Band - The Letter
4. Duk - Bilbo [from the excellent Bandcamp release "Early Worm Gets The Bird"]
5. Hypnotic Brass Ensemble - Moments [cover of Art of Noise's "Moments in Love"]
6. Hypnotic Brass Ensemble & Tony Allen - Marcus Garvey [w/Fela Kuti's master drummer Allen]
7. Mucca Pazza - Chick Habit [two songs from their super album "A Little Marching Band"; this wild take on the France Gall/April March classic features a rarity in this field: vocals]
8. Mucca Pazza - Dirge [doesn't get any less traditional than this: a creepy circus waltz for accordion and musical saw]
9. No BS! Brass Band - Take on Me [A Ha cover; always amazing to hear a great take on a song I'd never given the slightest thought to before]
10. Youngblood Brass Band - Human Nature, Pt. 2 [quite an improvement on Michael Jackson's original]
11. Youngblood Brass Band - Nate Mccarish Handbills For No Man [can't quite determine what strange sounds are featured here]


Bandcamp Is The New Cassette Culture 4

Continuing our survey of new music you can listen to, and in many cases, download for free on Bandcamp.com, we fly off to exotic lands. It is the depths of winter now, so I felt a tropical vacation was in order. 

And this first album is especially timely, as it features Evan Crankshaw from the great  "Flash Strap" blog, who just debuted his all-exotica radio show, "The Explorer's Room" last week. 

The Cumberland County Mean Gang "Crashing Waves"


Starts off a bit New Age-y, but track #3 "Slave Trade" is really great psychedelic exotica that sounds like it was played on your grandma's electric organ after someone spiked her Ensure with mescaline; it dovetails nicely right into the next track, which is almost 9 minutes of pure lysergic abandon. "Under The Jungle" does indeed sport jungle ambiance, tho the music is more Jean-Michel Jarre '70s-type electronica than Martin Denny. It's melody is re-used in the next track, a Giorgio Morodor-on-cheap-ass-Casios techno-dance stomper. The most excellent "Ritual of Flight" begins with theremin- ish electronics, followed by haunted-house organ...and exotic bird calls?  Just what kind of spook show is this, anyway? Was happy to hear grandma's psychedelic organ again on track 8. Price: Name Your Price. And enjoy your flight.

The Mad Drummer - from South Africa, but sounding more Zappa than Zulu. The inverse of Paul Simon and Vampire Weekend? A lot better than them, that's for sure. All 6 songs are good, but for someone who calls himself a mad drummer, the synthetic drums are the one (minor) fault I find with this. Price: $3.

Boolz "S.O.S.[Slovvd-n-Chopped]" - Also from South Africa comes this trippy dub electronica. I like the bugged-out VV3ΔK [SLOWD-N-CHXPPXD]  Price: Name Your Price

Some comps that will keep you busy and dancing for days: 

Peru Maravilloso: "Vintage Latin Tropical Cumbia"

Analog Africa - 21 albums!  Haven't listened to all of them, but I can def recommend "African Scream Contest" - just don't buy the line about it being "psychedelia." It's James Brown-ish funk and West African highlife, and what's wrong with that? Can we stop throwing the word 'psychedelic' around so much?  It's getting to be as meaningless a term as 'experimental.' And be sure to read this as you dig the crate diggin' sounds of Analog Africa: Dusty African Grooves.

THE CLASSICS PLAYED ON 57 WINE GLASSES

I am quite delighted to announce that the crucial WFMU show "Bodega Pop" will devote all three hours of its weekly programming to this here web-log as our 10th anniversary festivities continue. This Wednesday 7:00PM Eastern time on Woof-Moo's "Give The Drummer Some" stream (not the over-the-air broadcast) the party commences. Your host-with-the-most Gary Sullivan helms a blog also called "Bodega Pop", and its tales of international music-collecting derring-do fills me with insane envy. Damn, this guy's got a great collection. And now, my latest Bandcamp discovery:

AllMusic said about today's album: "In the running for strangest novelty item of the year [2007], A Drop in the Glass is nevertheless an impressive display of musicality." Indeed. GlassDuo from Poland have constructed what they claim is the world's largest wine glass instrument, some 57 pieces strong.  Yes, wine glasses. You know how you can wet your finger and rub it along the rim of the glass to produce a musical, if somewhat squeaky, tone? Well, these two have taken this old idea to a virtuoso level. Mussorgsky's "Pictures At An Exhibition" is one of those classical war-horses that I'd never really given much thought to, but that was before I heard the familiar opening "Promenade" performed on something I am now drinking out of.



Other highlights: Chopin's "Prelude" (tho I prefer Serge Gainsbourg's remake "Jane B"), the clanging of metal percussion (a trash can, perhaps?) halfway into "Great Gate of Kiev", and the medley of hits from Grieg's proto-goth "Peer Gynt." After a while you may forget the unusual methods used to produce these sounds, and just listen to it for it's musical merits. It's available for purchase, or listen to the free stream:

GlassDuo: "A Drop In The Glass"

An mp3 for ya: 

GlassDuo: "In The Hall of the Mountain King" (excerpt from track 10)

I'm finally listening to some proper classical music. My mother will be so proud.

Bandcamp Is The New Cassette Culture pt.3

More indie album wonderfulness courtesy of sites like Bandcamp (and remember, you can always listen for free) from geniuses that would otherwise go unheard because no label in their right mind would ever give 'em a record deal. This time we're spotlighting colorful cartoonish craziness - after all, "novelty music" is not a bad word 'round these parts. To quote one of the album titles featured here, let's have fun:


Twink the Toy Piano Band "Miniatures Vol. 2": I can unhesitatingly recommend this brief, kooky album, performed on toy piano and other whimsical sound-making thingies. I actually think this is one of Twink's finest efforts of toy-tronic pop instrumentals. Price: FREE

1000 Needles: "Osiris": More toy tunes, this time from a band using modified Nintendo and Gameboys playing 8-bit melodies while guitars and drums rock along. Some great songs in this 7-track set that, as on the stand out tracks "Error 537" and "Monument 101," skillfully mix rinky-dink electronics with rawk power. Price: $4

The Invertebrates "Let's Have Fun": Not a new release this time, but a re-issue of some classic New Wave post-punk weirdness from a criminally underrated San Fran combo who we first featured here a few years back when we posted a vinyl rip of their "Eat 'Em While They're Young" EP. That one's long gone off-line, but maybe it will get the re-issue treatment like this gem, which sports concrète and backwards tape effects, dada lyrics that sometimes sound like they're being sung verbatim from magazine articles, B52s-ish femme vox and electric organ, and on one of the album's catchiest songs "Atilla The Hun," Jews harp, and a crazed percussion break. Price: $7

The Kominas "Wild Nights in Guantanamo Bay": I guarantee you've never heard any punk rock like this before: a Muslim American band hitting us with stuff like the Sex Pistols-quoting 'Sharia Law in the U.S.A,'  campy sound bites, a great surf-punk song ('Ayesha') that ends with a Muslim chant sound-collage, and a catchy funky rap song called (heh heh) 'Suicide Bomb the Gap.'  Apart from courting controversy (and they did indeed get media coverage that scarcely described their music), there's actual good sounds here that break out of the punk mold, e.g.: the unique, rhythmically complex, kinda Caribbean-sounding 'Layla' (no, not that one). Price: FREE, but you'll probably end up on all kinds of watch lists for downloading it.  

Carton Sonore "Modarn": And now for something completely different - a collection of musical fragments only seconds long that are meant to played on shuffle play, effectively creating a new song every time. Like Eno's "generative" works, it's never the same twice. Price: 1€

Thiaz Itch "Frivolurium": Like Carton Sonore, another funny Frenchman. The description tags tell the story: "carnivale, circus, comedy, electro, space-age-pop." Utterly delightful modern vaudeville cut from the same zany cloth as Twink...not to mention Perrey and Kingsley, Spike Jones, and Monty Python, who's "Bright Side of Life" gets brilliantly covered here. But this album is no child's play - it gets almost proggy in it's experimentation: the polka-esque "Splooshy il Chiocciolo" features everything from Chipmunk vocals to heavy rock guitar to fruity horns. My current Favorite-ist Album In The Whole Wide World. And remember, "don't step on my foreskin!" Price: 5 €



ODD-STRALIA pt 3: The Invented Instruments of Rod Cooper

Another strange-music-making Australian ("odd-stray-alien," as our expert in such matters Buttress O'Kneel says) is the chap in the above video, Rod Cooper, a metal-worker who makes fantastic plunky/boingy/screechy hand-built metal instruments. Seeing him live would be the optimal way to experience him, I would imagine, considering how, to quote B'O'K: "he used to play in subterranean stormwater drains and stuff, secret illegal gigs that utilised the tunnels' natural reverb to the fullest." And of course, you'd get to see these gizmos up close.

He has a few albums for sale, but here's one you can listen to via Bandcamp as Klunk, a duo with John Bell on vibraphone and percussion:

Klunk: "Metalic"

Many of these improvised instrumentals are nice indeed, with Cooper coaxing all kinds of atmospheric, almost ambient soundscapes out of his Highly Resonant Object. No harsh industrial pounding here. The interplay between vibes and HRO on "Aluminum" is quite lovely, and the dramatic "Columbium" is compelling.  I love jazz vibes, but on some tracks the aimless wandering vibraphone doesn't do much for me. Tracks like the sparse, haunting "Stainless" are more successful.


Here are two samplers, both almost 6 minutes long:

http://www.divshare.com/download/25367194-1bb

http://www.divshare.com/download/25367195-e86

And then there's:

Interview

Artist Statement - Like the man says: "Comfort Through Dissonance"

ODD-STRALIA pt 1: Ice Cold



By request, Scott Johnson's "Rock Paper Scissors" is back up. 


You may have seen that "viral" (as the kids say) sensation Babymetal, the cutesy Japanese girl metal band. But from down Melbourne way comes something even stranger: Satanic death-metal that isn't metal at all but hip-hop. Over boomin' (if dark) electro beatz, MC Ice Cold drops rhymes like "Your life I steal and your soul I’m takin /cookin MCs like a pound of bacon... dissers be dissin and the hataz be hatin /but it aint no thang when you’re in league with SATAN" (from the song "Awaken Ancient Spirits"). Vocals delivered, but of course, in that menacing Cookie-Monster growl. Very funny, but despite song titles like "Satan Iz Tha Gangsta" it's not intended to be a parody but rather, according to our Aussie spy Buttress O'Kneel, "he says it's more like a 'what if' - 'what if hiphop had been the outlet for necrosatanists rather than metal?' - like those books that imagine what it would be like if hitler won the war, or if the dinosaurs hadn't died out."

Get 8 free songs from the: 

Ice Cold Bandcamp page


I wonder if anyone has done anything like this before? After all, the inverse - ghetto gangstas playing heavy rock - has been around for decades, e.g.: Ice T's Body Count, Suicidal Tendencies, the "Judgement Night" soundtrack.

More strange sonic wonders from Down Under coming soon.  Thanks, B'O'K!

Bandcamp Is Still The New Cassette Culture

Like I was saying...Listen for free, buy if you like.

This batch is loosely associated by a shared fascination with the surreal and fantastic,  injecting a little much-needed magic into our world.

- Ergo Phizmiz "Idiot": The prolific madman across the water has two more winners. This one's a generous 18 tracks of mostly instrumentals (w/some sampled vox) cobbled together out of found-sounds and whimsical instruments. "Ornidisco" is a dance track ingeniously fashioned entirely from sampled bird sound effects. "Night on The Town" is an absurd disco raver performed entirely acappella (complete with beatboxing) that's as funny as it is funky. Avant-garde, or just good ol' British eccentricity? Price: free.

- Ergo Phizmiz "Music for Pleasure": "A 17 track behemoth of Ergo Phizmiz's singular take on guitar based rock'n'roll & pop music." Yep, these ramshackle constructions suggest actual rock music, sometimes in the Neil Innes or Syd Barret vein, with much Kink-y garage punk energy. Bonus points for reviving Bobby Goldsboro's '60s bubblegum gem "Little Things." Album title = truth in advertising. Price: £7.

- Doctor Midnight "Crotch Rocket Extremities and​/​or Popular Culture Atrocities": What the ..? This short (12 tracks in 23 minutes), utterly unpredictable album makes as much sense as that album title. This duo comes from Alabama, not with a banjo on it's knee, but plenty of other noises: sound effects, screaming, computers, piano, marimba, guitars, and scary hillbilly voices that may be sampled, or may belong to the band members. My fave moment is when "Chocodino" almost turns into a remake of Steve Reich's "It's Gonna Rain," followed by 38 seconds of "There Ain't Shit On TV!" Price: free.

Paul and Pierre "Eggs Benedict With Mr Wu On The Seahorse Monorail": Pierre is the man behind naive/ toy-pop masters Carton Sonore; this time out he's joined by Scottish warbler Paul Vickers for actual songs, but still retaining the whimsy of past projects. Acoustic instruments like musical saw and mandolin meet Casio-tronics to realize sea shanty-like sing-alongs replete with fantastical imagery. Well written, wonderfully evocative, effortlessly enjoyable. Price: €7, tho the super song "Lon Chaney" is free, and you know a song has to be good if it's about Lon Chaney.

- Zlata Sandor/Shaun Sandor "Band on the Moon": If you're pressed for time, here's 5 minutes of a father and his 4-year-old daughter singing about the kinds of things you would expect little girls to sing about, e.g.: party balloons, animals, and playing on the moon. C'mon, how can you not like this? Price: $1.00.


Timur and the Dime Museum "X-ray Sunsets": These Angelenos conjure up a dark carnival for accordion, ukulele, violin, and on the rollicking "Distance Of The moon," a spot of toy piano, with a bona-fide opera singer up front; I featured their amazing take on Nine Inch Nails' "Closer" here previously, but this album is all original and it's all good. Don't be surprised if David Lynch uses the dreamy doo-wop ballad "Asleep At The Wheel" in his next film. Flamboyantly theatrical without quite being campy. Recommended, even if you hate opera. Price: $7.

Tho he was hardly an indie band/ bedroom producer like the above, I still would like to point out that - holy crap! - there are now 48 Fela Kuti albums now available on Bandcamp.